The Coming Earthquake in Hollywood
Today it's possible to produce a movie and sell it directly
to audiences on the internet. The quality is lacking and the trend is
in a very early stage, so Internet movie sales are not a major threat
to this summer’s box office. However, as the practice becomes more
common and the technology improves, it will revolutionize the industry.
The major studios may still put out the most popular and profitable
movies, but they will no longer dominate the market because they are
the only ones who have a distribution system. Just as most of the major
airlines have been driven to bankruptcy by small airlines that offered
low fares, so the major studios will be threatened by small movie
production companies who make better decisions about what viewers
really want to see. Modern technology is reducing the cost of making
independent productions even while the cost of a typical Hollywood
production is going up.
The television entertainment industry is in for an even bigger shock
wave. The financial heart of the industry is advertising sales, but
technology is making it easier and easier for viewers to trim out the
ads. As this trend escalates, advertisers will not want to pay for the
production and distribution of programs they are being cut out of by
viewers.
Even more profound will be the convergence of the Internet with the
living room television. This process has already begun but is still
cumbersome and expensive. In a short while, it will be as simple as
using an iPod and even more popular. It could spell the end for
television networks, cable services and video stores (at least in their
present form). The concept of “on demand” will expand to thousands of
Internet film stores and libraries. Virtually any movie or program made
will be available from some store or library for some price. Many
programs will be free.
Independent productions will have inexpensive distribution channels to
many millions of viewers. Viewers may still want Hollywood quality
production values and be willing to pay premium prices for such
programs, but it won’t be four $12 tickets for two parents and two
children and it won’t be $20 for a DVD. For just a few dollars, someone
will download a copy and show it in their home theatre to as many
family members and friends as they choose as many times as they choose.
Advertisers will want out of entertainment programs unless they can
manage some sort of electronic enforcement that won’t permit commercial
skipping. Their alternative will be free infomercials that explain
about their products or services in an entertaining fashion. Home
builders and real estate offices will produce and make available online
video house tours. Grocery chains will offer this week’s specials in a
video format you can go to their website and watch. Car manufacturers
will produce short films about each model presented in a style targeted
to those they think most likely to buy each model. Many churches
already offer their sermons online in small videos. This will expand to
full screen.
The impact of this technology shift will kill some businesses and turn
others into economic giants. The important thing is that the program
director – more than ever –will be the viewer. The days when three
networks dominated television died with the advent of cable. The days
of any network saying what can be seen at what time will be a thing of
the past (with the exception of live events and premiers). Already, you
can download over 150 major television programs on iTunes.
Hopefully, as viewers gain more power, the winner will be quality
family entertainment. MOVIEGUIDE® has been reporting for years that
quality family entertainment makes more money than sex, violence and
immorality. There will be pornography producers who find enough of an
audience to make a few dollars, but there will be independent family
movie producers who will make LOTS of money. Like Pixar, they may even
become the popular profitable studios of the future. And, like Mel
Gibson, someone will dare to produce a movie that hits a home run with
the millions of Americans who attend church every Sunday. In fact,
don’t be surprised by some new production companies that target
Christian audiences, but do so with full Hollywood quality production
values.
More than ever before, therefore, the major studios and media
conglomerates will have to ask themselves if the expensive movie
they’re making really needs foul language, ultraviolence, explicit sex,
nudity, crude jokes, and other offensive material.
Consequently, hopefully, that will make MOVIEGUIDE® and its ideas
on
how to make an inspirational, entertaining family-friendly movie with
positive Christian values that much more important.
In the meantime, you and your family should frequently visit our
website at www.movieguide.org
and subscribe to MOVIEGUIDE® so that you can protect you and your
family from the negative elements that continue to impact the mass
media of entertainment.
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